![]() The Age of Rembrandt, Dutch paintings in the Metropolitan Museum of Art, The Metropolitan Museum of Art, New York City, 18 September 2007–6 January 2008, no catalogue. Rembrandt/Not Rembrandt in The Metropolitan Museum of Art, 10 October 1995–7 January 1996, The Metropolitan Museum of Art, New York City, Cat.no. Portrait of the Artist, The Metropolitan Museum of Art, New York City, 18 January 1972–7 March 1972, Cat.no. Rembrandt, The Metropolitan Museum of Art, New York City, 1952, no catalogue. ![]() The Art of Rembrandt, The Metropolitan Museum of Art, New York City, 21 January 1942–?, no catalogue. Winter Exhibition, Royal Academy of Arts, London, 1890, cat. 10.Įxhibition of Works by the Old Masters and by Deceased Masters of the British School. , British Institution, London, June 1829, cat. From the collection of the Duc de Valentinois - 30.5 inches by 25.5’)ġ848: inherited by Bingham Baring, 2nd Baron Ashburton (1799-1864), from Alexander Baring, 1st Baron Ashburtonġ864: inherited by Francis Baring, 3rd Baron Ashburton (1800-1868), from Bingham Baring, 2nd Baron Ashburtonġ868: inherited by Alexander Baring, 4th Baron Ashburton (1835-1889), from Francis Baring, 3rd Baron Ashburtonġ889: inherited by Francis Denzil Edward, 5th Baron Ashburton (1866-1938), from Alexander Baring, 4th Baron Ashburtonĭate QS:P,+/7,P1326,+/9: Charles Sedelmeyer (art dealer), Parisġ909: purchased by Benjamin Altman (1840-1913), New York City, from Charles Sedelmeyer, Parisġ913: bequeathed to Metropolitan Museum of Art, New York, by Benjamin Altman, New York The flesh exhibits every variety of tint, harmoniously blended: - a true representation of nature. A black Hat or Cap, placed obliquely on the head, gives a very brilliant relief to the countenance, which is lighted up with rich effect. : purchased by Alexander Baring, 1st Baron Ashburton (1774-1848), at the sale of the collection of William Waldegrave, 1st Baron Radstock at Christie’s, London, lot no.
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